Nahla Osman
 
 
features
Egypt’s old records: Obsessive collecting and squandered heritage
Nermeen Khafagy | Antique dealers, second-hand markets, auction showrooms, music lovers, music historians, amateurs and
At the film festival: In frantic search of the sacred
Nahla Osman and Ahmad Abdalla | Ahmad Abdalla with a plea for festival judges to give up idealization and engage with the real-life debates
My pragmatist friend surrenders
Shady Lewis | Close to Tahrir Square, at Takayeeba café, an independent artist friend of mine and a theater director
Selling pleasure, reaping hardship
Omar Said | “I don’t feel guilty. What I do is devoid of emotion,” says Samia, a civil servant by morning,